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Practice and improve writing style. Write like Charles Dickens

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“Everything was done that could be done, but the evidence was too strong for us, Colonel.”

 

Miserably I went to bed after all, and miserably thought of Estella, and miserably dreamed that my expectations were all cancelled, and that I had to give my hand in marriage to Herbert’s Clara, or play Hamlet to Miss Havisham’s Ghost, before twenty thousand people, without knowing twenty words of it.

 

In short, I turned over on my face when I came to that, and got a good grasp on the hair on each side of my head, and wrenched it well. All the while knowing the madness of my heart to be so very mad and misplaced, that I was quite conscious it would have served my face right, if I had lifted it up by my hair, and knocked it against the pebbles as a punishment for belonging to such an idiot.

 

Mr. Pumblechook, with a fat sort of laugh, said, “Ay, ay? Why?”

 

The influences of his solitary hut-life were upon him besides, and gave him a savage air that no dress could tame; added to these were the influences of his subsequent branded life among men, and, crowning all, his consciousness that he was dodging and hiding now. In all his ways of sitting and standing, and eating and drinking,—of brooding about in a high-shouldered reluctant style,—of taking out his great horn-handled jackknife and wiping it on his legs and cutting his food,—of lifting light glasses and cups to his lips, as if they were clumsy pannikins,—of chopping a wedge off his bread, and soaking up with it the last fragments of gravy round and round his plate, as if to make the most of an allowance, and then drying his finger-ends on it, and then swallowing it,—in these ways and a thousand other small nameless instances arising every minute in the day, there was Prisoner, Felon, Bondsman, plain as plain could be.

 

“I was brought here, by the most dreadful and agonising of all apprehensions,” said the young man; “the fear of losing the one dear being on whom my every wish and hope are fixed. You had been dying; trembling between earth and heaven. We know that when the young, the beautiful, and good, are visited with sickness, their pure spirits insensibly turn towards their bright home of lasting rest; we know, Heaven help us! that the best and fairest of our kind, too often fade in blooming.”

 

Brittles replying in the affirmative, and pointing out the building, the portly man stepped back to the garden-gate, and helped his companion to put up the gig: while Brittles lighted them, in a state of great admiration. This done, they returned to the house, and, being shown into a parlour, took off their great-coats and hats, and showed like what they were.

 

The passage was perfectly dark. They waited, while the person who had let them in, chained and barred the door.

 

“Yes,” replied Brittles; “I sent a message up by the coachman, and I only wonder they weren’t here before, sir.”

 

“I wonder whether they can hear it,” said Nancy.

 

Mr. Cruncher was so bewildered that he could think of no locality but Temple Bar. Alas! Temple Bar was hundreds of miles away, and Madame Defarge was drawing very near indeed.

 

“I am quite sure, Mr. Cruncher,” returned Miss Pross, “that you never will do it again, whatever it is, and I beg you not to think it necessary to mention more particularly what it is.”

 

And yet, observing the strange law of contradiction which obtains in all such cases, the time was long, while it flamed by so fast. A revolutionary tribunal in the capital, and forty or fifty thousand revolutionary committees all over the land; a law of the Suspected, which struck away all security for liberty or life, and delivered over any good and innocent person to any bad and guilty one; prisons gorged with people who had committed no offence, and could obtain no hearing; these things became the established order and nature of appointed things, and seemed to be ancient usage before they were many weeks old. Above all, one hideous figure grew as familiar as if it had been before the general gaze from the foundations of the world—the figure of the sharp female called La Guillotine.

 

It was but the inquiry of his first confusion and astonishment, the answer being obvious. If the impression were not produced by a real corresponding and sufficient cause, how came he, Jarvis Lorry, there? How came he to have fallen asleep, in his clothes, on the sofa in Doctor Manette’s consulting-room, and to be debating these points outside the Doctor’s bedroom door in the early morning?

 

It proceeded from Miss Pross, the wild red woman, strong of hand, whose acquaintance he had first made at the Royal George Hotel at Dover, and had since improved.

 

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