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Practice and improve writing style. Write like Mark Twain
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
Hendon wished to guard against over-fatiguing the boy; he judged that hard journeys, irregular meals, and illiberal measures of sleep would be bad for his crazed mind; whilst rest, regularity, and moderate exercise would be pretty sure to hasten its cure; he longed to see the stricken intellect made well again and its diseased visions driven out of the tormented little head; therefore he resolved to move by easy stages toward the home whence he had so long been banished, instead of obeying the impulse of his impatience and hurrying along night and day.
“We lost her through it. Her gift of palmistry and other sorts of fortune-telling begot for her at last a witch’s name and fame. The law roasted her to death at a slow fire. It did touch me to a sort of tenderness to see the gallant way she met her lot—cursing and reviling all the crowd that gaped and gazed around her, whilst the flames licked upward toward her face and catched her thin locks and crackled about her old gray head—cursing them! why an’ thou should’st live a thousand years thoud’st never hear so masterful a cursing. Alack, her art died with her. There be base and weakling imitations left, but no true blasphemy.”
“Thou art good to me, yes, thou art very good to me. Take it and put it on—I shall not need it more.”
The prisoner clasped his hands together with sudden energy, and wrung them despairingly, at the same time appealing imploringly to the ‘King’ in broken and terrified phrases—
“True, indeed. I had not thought of that. I will consider of her punishment. Is thy father kind to thee?”
“Who could have brought those tools here? Do you reckon they can be upstairs?”
He well knew the futility of trying to contend against witches, so he gave up discouraged. But it occurred to him that he might as well have the marble he had just thrown away, and therefore he went and made a patient search for it. But he could not find it. Now he went back to his treasure-house and carefully placed himself just as he had been standing when he tossed the marble away; then he took another marble from his pocket and tossed it in the same way, saying:
“Why, that’s awful. How did he know she was a-witching him?”
They sprang to their feet and hurried to the shore toward the town. They parted the bushes on the bank and peered out over the water. The little steam ferry-boat was about a mile below the village, drifting with the current. Her broad deck seemed crowded with people. There were a great many skiffs rowing about or floating with the stream in the neighborhood of the ferryboat, but the boys could not determine what the men in them were doing. Presently a great jet of white smoke burst from the ferryboat’s side, and as it expanded and rose in a lazy cloud, that same dull throb of sound was borne to the listeners again.
“Oh, that’s jolly. Who’s going to give it?”
“Why, you just said a body could lift up the bedstead and slip the chain off.”
“Why, Tom, that ’ll make trouble next morning; because, of course, she prob’bly hain’t got any but that one.”
“Look at it, gentlemen and ladies all; take a-hold of it; shake it. There’s a hand that was the hand of a hog; but it ain’t so no more; it’s the hand of a man that’s started in on a new life, and’ll die before he’ll go back. You mark them words—don’t forget I said them. It’s a clean hand now; shake it—don’t be afeard.”
“Well, then,” I says, “how ’ll it do to saw him out, the way I done before I was murdered that time?”
“No, your majesty”—which was the way I always called him when nobody but our gang warn’t around.