Practice and improve writing style. Write like Rudyard Kipling
Improve your writing style by practicing using this free tool
Practice makes perfect, sure, we all know that. But practice what?
If you do not have a good writing style, and you keep writing in that same style, then, it does not matter how much you write. At the end, you will still have that not so good writing style.
Here's how you improve
You practice writing in the style of popular authors. Slowly, but surely, your brain will start picking up that same wonderful writing style which readers are loving so much, and your own writing style will improve. Makes sense?
Its all about training your brain to form sentences in a different way than what you are normally used to.
The difference is the same as a trained boxer, verses a regular guy. Who do you think will win a fight if the two go at it?
Practice writing like professionals!
Practice writing what is already there in popular books, and soon, you yourself would be writing in a similar style, in a similar flow.
Train your brain to write like professionals!
Spend at least half an hour with this tool, practicing writing like professionals.
Practice and improve your writing style below
Below, I have some random texts from popular authors. All you have to do is, spend some time daily, and type these lines in the box below. And, eventually, your brain picks the writing style, and your own writing style improves!
Practice writing like:
- Abraham Bram Stoker
- Agatha Christie
- Arthur Conan Doyle
- Charles Dickens
- Ernest Hemingway
- Hg Wells
- Jane Austen
- Mark Twain
- Rudyard Kipling
Type these lines in the boxes below to practice and improve your writing style.
“He is over there,” answered Gunga Dass, pointing to a burrow-mouth about four doors to the left of my own. “You can see for yourself. He died in the burrow as you will die, and I will die, and as all these men and women and the one child will also die.”
Gunga Dass, however, was of a different opinion. “Give me the money,” said he; “all you have, or I will get help, and we will kill you!” All this as if it were the most natural thing in the world!
Imagine then, as I have said before, a horseshoe-shaped crater of sand with steeply graded sand walls about thirty-five feet high. (The slope, I fancy, must have been about 65 degrees.) This crater enclosed a level piece of ground about fifty yards long by thirty at its broadest part, with a crude well in the centre. Round the bottom of the crater, about three feet from the level of the ground proper, ran a series of eighty-three semi-circular ovoid, square, and multilateral holes, all about three feet at the mouth. Each hole on inspection showed that it was carefully shored internally with drift-wood and bamboos, and over the mouth a wooden drip-board projected, like the peak of a jockey’s cap, for two feet. No sign of life was visible in these tunnels, but a most sickening stench pervaded the entire amphitheatre—a stench fouler than any which my wanderings in Indian villages have introduced me to.
“What will your mother say?” I asked, cheerfully.
“To Furdurstrandi?” I asked, tingling from head to foot.
‘Well, you have been quick!’ said Taffy. ‘But why did you bring so many people? Daddy dear, this is my surprise. Are you surprised, Daddy?’
So Painted Jaguar did as he was told, especially about leaving them alone; but the curious thing is that from that day to this, O Best Beloved, no one on the banks of the turbid Amazon has ever called Stickly-Prickly and Slow-Solid anything except Armadillo. There are Hedgehogs and Tortoises in other places, of course (there are some in my garden); but the real old and clever kind, with their scales lying lippety-lappety one over the other, like pine-cone scales, that lived on the banks of the turbid Amazon in the High and Far-Off Days, are always called Armadillos, because they were so clever.
‘Very,’ said Tegumai; ‘but it has ruined all my fishing for the day. Why, the whole dear, kind, nice, clean, quiet Tribe is here, Taffy.’
‘It’s a noise just the same. It’s the noise a snake makes, Daddy, when it is thinking and doesn’t want to be disturbed. Let’s make the ssh-noise a snake. Will this do?’ And she drew this. (7.)
‘I can now,’ said the Leopard. ‘But I couldn’t all yesterday. How is it done?’
“Hai-mai! What do I know of the thing called a blessing? I am neither a Godling nor his brother, and—O mother, mother, my heart is heavy in me.” He shivered as he set down the child.
It began when the winter Rains failed almost entirely, and Ikki, the Porcupine, meeting Mowgli in a bamboo-thicket, told him that the wild yams were drying up. Now everybody knows that Ikki is ridiculously fastidious in his choice of food, and will eat nothing but the very best and ripest. So Mowgli laughed and said, “What is that to me?”
“Nothing was ever yet lost by silence,” said Kaa—no sting could penetrate his scales—“and thou hast all the long night for the hunting. Hear them howl!”
“Can it speak?” said Mowgli in a whisper. “Did I do it a wrong when I threw it away? Between us two it can do no wrong, for we do not desire what men desire. If it be left here, it will assuredly continue to kill men one after another as fast as nuts fall in a high wind. I have no love to men, but even I would not have them die six in a night.”
“Did I not follow thee on the night our old Pack cast thee out? Who waked thee lying among the crops?”
